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The Ghost Months Vol. 1

by Benjamin Longman

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1.
Grass 04:48
When the forest becomes a tree I'll be sitting with my axe between my knees When the river becomes the sea I'll be swimming for what's left of me When this village becomes a town When it finally spreads its name around I'll be watching from afar With the comfort of my old guitar //When this all is grass When the petals take their bloom I'll make sure that I have lots of room When the sparrows come to nest I'll make sure that they are treated best When the tree finally dies And I've wiped the tears out from my eyes I will burn the land it filled And another forest, I will build //When this all is grass
2.
Letters 04:08
Words arid, syllabic potpourri Loving you doesn't make sense to me You're getting old and we know I've moved on Why do we act as though nothing is wrong? //My love is in your letters //My home is in my songs //And I've been living here too long Keeping in mind what I know we've been through Darling don't think this reflects upon you I'm getting sore by the fit of this shoe And leaving you is something I just have to do //My love is in your letters //My home is in my songs //And I've been living here too long Heart arid, aortic potpourri Darling, these Ghost Months mean nothing to me
3.
More 03:04
I'm a young, young man, with delusions of age It's not someone I became, I've just always been this way And if I keep on trying to be something more than that Then I'll never have a chance to relax I'm a lonely man, with a girl who's far away That might sound a bit cliché, but I mean it when I say That if I keep on trying to pretend that's not a fact Then I'll never have a chance to relax I'm an angry man, I feel useless all the time I could bottle it away, and go on feeding you a line But if I keep on holding on to putting on that act Then I'll never have a chance to relax //Silent, the cornerseat dinner for one //Heavy, the build-up of tar in the lungs //Dreaming my teeth will be falling out, seven by one I'm a missing screw in a shelf that's falling down At the time you need me most you might find I'm not around But I am always trying to be something more than that So that we might have a chance to relax
4.
Ghosts 03:59
You picked a house near the railway So that at a minute's notice You could pack your belongings, and Leave on the fly You put your bed near the window You told me that you liked it Said the traffic noise was calming Lets you know someone's there //Is that rain I hear? Must be the train my dear //Above us the sky is clear and evening draws near //If tomorrow's another day, tomorrow we'll hide away //We'll send out our ghosts to play, and tell them to stay You pulled the blinds down from the windows Said if anyone was looking That would surely send the message: 'We have nothing to hide' You put the mugs all in order By size and by colour If variety is such a spice Our cupboards are thyme //Is that rain I hear? Must be the train my dear //Above us the sky is clear and evening draws near //If tomorrow's another day, tomorrow we'll hide away //We'll send out our ghosts to play, and tell them to stay
5.
Side 04:21
No-one ever told me it would feel like this I can taste the apprehension hidden in your kiss Ever passing hour feels like wasted time Twenty days to live, and that's how I spend mine? //Tell me we'll be fine, tell me it's alright //Roll onto your side, turn off the bedroom light //I can rest my eyes, but I cannot rest my mind //So I'll find Laughing over extra inches on our waists Cannot shake the fear that I'll forget your taste Joking is less funny when it's coming true Do you know how much I'd rather be there too? //Tell me we'll be fine, tell me it's alright //Roll onto your side, turn off the bedroom light //I can rest my eyes, but I cannot rest my mind //It needs some time
6.
Undone 04:38
She tried to hold me for a while She tried to whisper in my sleep She tried to tell me not to go I tried to tell her not to weep She showed me pictures on her phone Sitting in the empty room She smoked the next 'last cigarette' Said she's "really quitting soon" In the two years I have known her She has never shed a tear But I guess I always told her What she wanted to hear We talked of things that we remembered Every song we ever wrote Every dissonant crescendo Every fleeting passing note Every tiny little worry Every giant crushing fear Every failure and triumph She recounted in my ear Every face that I encountered That has changed my life for good Every warning sign and red flag I misunderstood And I misunderstood We agreed it was the end Of a pretty decent run And now the keys are given in It can never be undone And I probably wouldn't see her For at least a little while But I'm thankful that I knew her And made her smile And made her smile //So if you see her, let me know

about

credits

released February 25, 2015

Everything you hear on this EP was written and performed by Benjamin Longman and
recorded/mixed on a Tascam 246 4-track cassette Portastudio in the front room of his parent's home,
except track 5, which was recorded on location downstairs at The Social, Little Portland St.

Mastered by Mike Malyan

All paintings and artwork photography by Benjamin Longman
Artwork edits by James Willmot

Thanks to:

Randi, for being the bear.
My parents, for their infinite patience (amongst countless other virtues).
Mike Malyan for his miraculous mastering job (seriously, cassette shouldn't sound this good), and everything else he's ever done for me.
Tim Crompton @ The Social for letting me record and film for free, and his endless hospitality.
Kevin and Reuben @ Sussed IT for zero hour tech support and wizardry.
James Willmot for making it look good.
Seán at Parousia Productions LTD for the bonus track.

Also
Sam and Zara, all the Malyans, Tara Minton, Liz Penney, Bruno Querci and Tessa Jackson.

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about

Benjamin Longman Calgary, Alberta

Benjamin Longman is a multi-instrumentalist from London (UK) currently residing in Calgary, AB.

Since the release of his debut EP in 2015, Benjamin’s brand of folk-forward art-pop has gained a reputation for delivering intricate lyricism paired with sophisticated musicianship, culminating in delicate and vulnerable live performances that reward an attentive listener.

(He/him, they/them)
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